[Unsigned]. ‘Video: The hocket’. <http://voiceisalanguage.wordpress.com/2010/04/01/video-the-hocket/>. Accessed 25 November, 2013.
Atlas, Charles. Put Blood in the Music. 1989. 52 mins. <http://ubu.com/film/atlas_blood.html> (accessed 1 February 2014).
Bairstow, Edward G, et al. ‘Vocal and Unvocal’, Music & Letters, Vol. 10 No. 3 (Jul. 1929), 235-55. <http://www.jstor.org/stable/726970> (accessed 6 September 2013).
Barrett, Estelle and Barbara Bolt, eds. Practice as Research: Approaches to Creative Arts Enquiry. London: I.B. Taurus, 2009.
Bayles, David and Ted Orland. Art & Fear: Observations on the Perils (and Rewards) of Artmaking. Santa Cruz, California: Image Continuum Press, 1993.
Berry, Wallace. Form in Music. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1986.
Britten, Benjamin. Phaedra: Dramatic Cantata for Mezzo Soprano and Small Orchestra, Op. 93. Vocal Score. London: Faber Music Limited, 1977.
Britten, Benjamin. The Rape of Lucretia/Phaedra. Janet Baker, English Chamber Music, Steuart Bedford. CD, Decca Music Limited, 1990. <http:// open.spotify.com/album/7mFi6uumGjESfV7ESJiYPg> (accessed 23 April 2014).
Brooks, Ross. ‘Hand-Drawn Sound Hides Music, Voices On Pieces Of Paper [Video]’ <http://www.psfk.com/2014/05/phonopaper-spectrogram.html> (accessed 19 May 2014).
Burgon, Ruth. Richard Long: A Line Made By Walking: Summary on the Tate website <http://www.tate.org.uk/art/artworks/long-a-line-made-by-walking-ar00142/text-summary> (accessed 27 March 2014).
Cage, John. Notations. New York: Something Else Press, 1969.
Cape, Timothy. Ear Piece. Performed by Timothy Cape and the audience at ‘Bastard Assignments at Clare’s Place’, private home, Lewisham, London, 26 April 2014. Part of this performance can be seen at <http://vimeo.com/93307492> (0:44 to 1:10) (accessed 9 May 2014).
Clay, Danny. ‘Beethoven Could Have Used More Dinosaurs: Kids, Graphic Scores & How Music Education is a Two-Way Street’. I Care If You Listen <http:// www.icareifyoulisten.com/2013/02/beethoven-could-have-used-more-dinosaurs> (accessed 25 September 2013).
Copland, Aaron. Piano Variations. Np: Boosey & Hawkes, 1932.
Dumitrescu, Iancu. Alternances (1 & 2). <http://hyperspectral.99k.org/Iancudumitrescu/Scores_files/Alternances1%262.pdf> (accessed 8 February 2014).
Dumitrescu, Iancu. Alternances. Bergersen Quartet. 2009. <http://youtu.be/EIVg2NfSqpA> (accessed 8 February 2014).
Evans, Cerith Wyn With the Advent of Radio Astronomy… Art exhibition at the Saison Poetry Library, Southbank Centre, London. Visited 2 October 2013.
Ferriss, Tim. ‘The Top 5 Reasons to Be a Jack of All Trades’. Nd. <http://fourhourworkweek.com/2007/09/14/the-top-5-reasons-to-be-a-jack-of-all-trades/> (accessed 17 May 2014).
Fields, Jonathan. Uncertainty: Turning Fear and Doubt into Fuel for Brilliance. Kindle edition, downloaded 22 September 2011. New York: Portfolio/Penguin, 2011.
Fishbase.org. ‘Diplodus sargus sargus, White seabream : fisheries, aquaculture, gamefish’ <http://www.fishbase.org/summary/1753> (accessed 14 April 2014).
Fisher, Elizabeth and Rebecca Fortnum. On Not Knowing: How Artists Think. London: Black Dog Publishing, 2013.
Ford, Andrew. A Dream of Drowning. Teddy Tahu Rhodes, West Australian Symphony Orchestra, Paul Daniel. Non-commercial recording provided by the composer, 2010.
Ford, Andrew. ‘What the composer owes the writer’ <http://inside.org.au/what-the- composer-owes-the-writer/> (accessed 11 October 2013).
Frahm, Nils. ’Sheets: Eins’ <http://www.nilsfrahm-sheets.com/> (accessed 26 April 2014).
Goebbels, Heiner. Hörstücke nach Texten von Heiner Müller. CD set, Munich: ECM Records 1452, 1994.
Granada Wild. Atlantic herring (Clupea harengus). <http://www.arkive.org/atlantic- herring/clupea-harengus/video-00.html> (accessed 23 April 2014).
Hirst, Linda. Workshop on contemporary singing techniques. London Ear Festival, The Warehouse, Studio 2, 29 March 2014.
Kim-Cohen, Seth. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. New York: Bloomsbury Academic, 2009.
Lely, John, and James Saunders. Word Events: Perspectives on Verbal Notation. New York: The Continuum International Publishing Group, 2012.
Lill, John. The Piano Sonatas of Prokofiev, Vol. 1. CD, London: ASV Digital, 1991. Liszt, Franz. Grandes études, S.137. <http://imslp.org/wiki/Grandes_%C3%A9tudes,_S.137_(Liszt,_Franz)> (accessed 21 March 2014).
Liszt, Franz. Piano Sonata in B minor, S.178. <http://imslp.org/wiki/Piano_Sonata_in_B_minor,_S.178_(Liszt,_Franz)> (accessed 21 March 2014).
Long, Richard. A Line Made By Walking. Photograph and graphite on board. 1967. Reproduced at <http://www.tate.org.uk/art/artworks/long-a-line-made-by-walking-p07149> (accessed 16 May 2014).
Maisel, Eric. Fearless Creating: A step-by-step guide to starting and completing your work of art. New York: Jeremy P. Tarcher/Putnam, 1995.
Manovich, Lev. The Language of New Media. Cambridge, Massachusetts: The MIT Press, 2001.
Martin, Eric Lyndal. ‘“I’m a Walking Bordello!”: Charlemagne Palestine Interviewed’. 22 May 2013. <http://thequietus.com/articles/12336-charlemagne- palestine-interview> (accessed 15 March 2014).
Mewburn, Inger. ‘Is Your PhD a Monster?’ <http://thesiswhisperer.com/2013/09/11/ help-i-think-i-have-created-a-monster/> (accessed 29 March 2014).
Mulcahy, Betty. How to Speak a Poem. London: Autolycus Press, 1987.
National Parks Service National Capital Region Network Inventory & Monitoring Network. Herring swimming up Rock Creek at P Street Bridge <https://www.youtube.com/watch?v=fm67PmNQJJI> (accessed 23 April 2014).
Neumark, Norie, Ross Gibson and Theo van Leeuwen. Voice: Vocal Aesthetics in Digital Arts and Media. Cambridge, Massachusetts: The MIT Press, 2010.
Nyman, Michael. Experimental Music: Cage and Beyond. Second edition. Cambridge: Cambridge University Press, 1999.
O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space, expanded edition. Berkeley: University of California Press, 1986.
Pappano, Laura. ‘Learning to Think Outside the Box: Creativity Becomes an Academic Discipline’, NYTimes.com <http://www.nytimes.com/2014/02/09/ education/edlife/creativity-becomes-an-academic-discipline.html?_r=0> (accessed 7 February 2014).
‘Raminagrobis’. ‘Fish on goat action’ <http:// whenhernameyouwriteyoublot.blogspot.co.uk/2009/05/fish-on-goat-action.html> (accessed 14 April 2014).
Ravel, Maurice. Histoires naturelles. Paris: Durand S.A. Editions Musicales, 1907.
Redhead, Lauren. ‘Interpreting Graphic Notation: Caroline Lucas, “Untitled”‘. 20 January 2013. <http://weblog.laurenredhead.eu/post/41009584777/interpreting-graphic-notation-caroline-lucas> (accessed 16 December 2013).
Rowley, Caitlin. ‘Adventures in amateurism’. 14 April 2014. <http://caitlinrowley.com/journal/2014/04/14/adventures-in-amateurism/> (accessed 15 June 2014).
Rowley, Caitlin. ‘Cy Twombly: Making a mess’. 29 April 2013 <http:// caitlinrowley.com/journal/2013/04/29/cy-twombly-making-a-mess/> (accessed 3 June 2014).
Rowley, Caitlin. ‘Notation: A room of one’s own’. 9 March 2012. <http:// caitlinrowley.com/journal/2012/03/09/notation-a-room-of-ones-own/> (accessed 17 May 2014).
Rowley, Caitlin. ‘One evening, four songs’. 5 March 2014. <http://caitlinrowley.com/ journal/2014/03/05/one-evening-four-songs/> (accessed 11 June 2014).
Rowley, Caitlin. Private diaries September 2013-June 2014.
Rzewski, Frederic. The People United Will Never Be Defeated! Marc-André Hamelin. CD, London: Hyperion Records Limited, CDA 67077, 1999.
Rzewski, Frederic. The People United Will Never Be Defeated. Np: Zen-On Music, Ltd. and Coda Ediciones Musicales (SEEMSA), 1979.
Saunders, James (ed.). The Ashgate Research Companion to Experimental Music. Farnham, Surrey: Ashgate Publishing Limited, 2009.
Schwitters, Kurt. ‘Eve Blossom’ <http://www.costis.org/x/schwitters/eve.htm> (accessed 20 March 2014).
Shrude, Marilyn. ‘Teaching Composition in Twenty-First-Century America: A Conversation with Milton Babbitt’, American Music, Vol. 25 No. 3 (Fall 2007), 312-33. <http://www.jstor.org/stable/40072664> (accessed 20 February 2014).
Shrude, Marilyn. ‘Teaching Composition in Twenty-First-Century America: A Conversation with Samuel Adler’, American Music, Vol. 26 No. 2 (Summer 2008), 223-45. <http://www.jstor.org/stable/40071704> (accessed 20 February 2014).
Shrude, Marilyn. ‘Teaching Composition in Twenty-First-Century America: A Conversation with William Bolcom’, American Music, Vol. 28 No. 2 (Summer 2010), 173-90. <http://www.jstor.org/stable/10.5406/americanmusic.28.2.0173> (accessed 20 February 2014).
Simon, Joan. ‘Hear here’. Frieze Magazine, Issue 86 (Oct 2004). <http://www.frieze.com/issue/article/hear_here/> (accessed 25 April 2014).
Smit, Leo. Aaron Copland: The Young Pioneers: The Complete Music for Piano Solo. CD, Sony Classical SM2K 663345, 1994.
Tzara, Tristan. Seven Dada Manifestos and Lampisteries. London: Calder Publications, 2003.
Warmplace.ru. ‘PhonoPaper’ <http://warmplace.ru/soft/phonopaper/> (accessed 19 May 2014).
Wason, Robert W. ‘Tonality and Atonality in Frederic Rzewski’s Variations on “The People United Will Never Be Defeated!”’, Perspectives of New Music, Vol. 26 No. 1 (Winter 1988), 108-43. <http://jstor.org/stable/833319> (accessed 4 April 2014).
Wikipedia. ‘Herring’ <http://en.wikipedia.org/wiki/Herring> (accessed 15 April 2014).
Woolman, Matt. Sonic Graphics: Seeing Sound. London: Thames & Hudson, 2002.
© 2023 Caitlin Rowley